Carrot's new transformation was never meant to last long, and already it's starting to tire her out. Thankfully Brook is there to take a page from her book, running across the water to take out a few ships of his own and catch her before she's completely done. I was already kind of iffy about the Carrot fight from last week, wishing the better cuts of animation could connect more without being sandwiched between so many flat panning shots, and now this episode has even less spectacle to work with as we focus more on dialogue and story than straight action. Carrot's Sulong form reaches its end, and now it's up to the Straw Hats to fight Big Mom face-to-face while she sleeps it off.
Elsewhere, Sanji and Capone are arguing over how to handle the cake as they make their way over. Capone wants to poison the cake and finally put an end to Big Mom's reign once and for all. It's the logical choice, since even if our heroes manage to escape Totto Land, we wouldn't want to know Mom is still kicking around. But we're not dealing with logic here. Sanji's determined to beat Big Mom purely on the strength of his cooking. It's that Dragon Ball logic of "No, we have to win the fun way!" that might infuriate audience members who don't want to see their protagonists be such prideful selfish dimwits. (But I love it.)
However, the real meat of the story lies with Big Mom. The longer her rampage goes on, the more you start to see Mother Carmel in her face, like a ghost that's followed her around for her entire life. Thanks to Prometheus, she now has giant flaming hair with a jack-o-lantern smile, and she's looking more like an otherworldly monster than ever despite the fact that she's gradually regaining her original consciousness. (At the very least, she can speak in full sentences again.) Our currently standing crew isn't a match for her up close like this, and now she's tearing the Thousand Sunny to pieces while our shipwright is far-off in the distance, waiting in a completely different arc.
I find this stage of Big Mom's descent into madness so powerfully compelling, especially in the manga where the stark black & white expressionism speaks to me in Rorscach-like ways. Big Mom is the abyss, the point where humanity and inhumanity are one and the same. She's the coked-up version of so many familiar human flaws—addiction, hypocrisy, and the need to impress imaginary versions of people we create in our heads. Within Whole Cake Island, there's a sobering acknowledgement that we are often creatures of impulse, and there's a primal fear that it's all we truly can be. Specifically, that panel of Big Mom landing on the deck is deeply etched into my subconscious. It's the image I most heavily associate with Whole Cake Island.
This is a strange episode that's abundant with unique directorial choices in shot composition and music, and yet the whole thing feels so unwieldy and distant. That sort of works in its favor by making the episode feel disorienting and off-kilter, but I don't think the energy's been exciting enough in the past few episodes to earn that sense of exhaustion. We need to feel like we've flamed out in a blaze of glory (the importance of the Sulong fight scene), and now we're trying to get our next high off the remaining fumes.
We're in a strange place with the anime right now, where the story is juggling a large variety of tones and ideas at once, so the pacing has to be a lot more careful than just padding everything out for dramatic suspense. Easily my favorite material this week is the stuff with Big Mom on the ship, but all of that is sadly packed into the last couple minutes. This is an episode of sluggish roughness that occasionally lights up with moments of brilliance because the story beneath the surface is so profound.
I can't recommend the series, nor think that any hypothetical viewer would enjoy it, but it is the kind of trash TV that's rewarding to dissect.― Have you ever wondered what Baki would be like if it had a conservative bent instead of queer undertones? Well, look no further because the answer is Kengan Ashura! While Kengan is trying to convey the same spectacle and white-knuckle action of the long-ru...
Film also available to rent, purchase digitally on several major outlets in N. America― The official X/Twitter account for TOHO's Godzilla franchise announced on Saturday that Takashi Yamazaki's Godzilla Minus One film is streaming worldwide on Netflix. The film is available worldwide, but is currently not available in Japan. Godzilla Minus One/Minus Color, the black-and-white version of the film, w...
One Piece: Heroines novel also licensed― Viz Media revealed its new licenses and new print releases planned for spring 2025 on Friday. Kazuyoshi Seto's Minecraft: The Manga: Announcement: Add this book to your enchantment room! Join Nico on his chance to escape the blocky confines of his home and prove how strong he's become when zombies attack! Minecraft: The Manga, by Kazuyoshi Seto, releases Spri...
Series starring Miku Martineau, Ayo Solanke, more starts production in Toronto― The Hollywood Reporter entertainment news site reported on Thursday that showrunner Simon Barry (Warrior Nun creator) and Boat Rocker Media are producing a live-action series for Netflix titled BET that "is based in part" on writer Homura Kawamoto and artist Tōru Naomura's Kakegurui - Compulsive Gambler manga. The show h...
Jean-Karlo attempts to condense two big video game showcases into a coherent column, from the revamped Silent Hill 2 to the grazing pastures of Story of Seasons.― Welcome back, folks. This is related to a big story for this week, but this past weekend, I listened to Utada Hikaru's re-recording of "Simple And Clean". It's very emotional. Utada Hikaru is a good twenty-plus years older than when she or...
In the Eisner-nominated work, Maki Fujiwara chronicles her daily life with her husband, lionized mangaka Yoshiharu Tsuge. Though deceptively simple at first glance, a foundation of abuse is slowly revealed.― At first blush, Maki Fujiwara's My Picture Diary does what it says on the tin. It tells the story of her daily life as a housewife and mother, spending time with her daily activities, noting the...
Now streaming on Netflix, Tomotaka Shibayama's first feature animation mixes the magical with reality to share a simple but important message.―
Director Tomotaka Shibayama's latest film, My Oni Girl, is an action-adventure drama with elements of a buddy comedy and a relatable coming-of-age story. The film, produced by Studio Colorido, was released in theaters in Japan and on Netflix on May 24, foll...
Miyano, Nukumi play original characters for August 2 film― The official website for My Hero Academia the Movie: You're Next (My Hero Academia: You're Next), the fourth anime film in the My Hero Academia franchise, announced on Friday that the film has cast Mamoru Miyano and Meru Nukumi as original characters. Mamori Miyano as Giulio Gandini, a butler who serves the Scervino family Meru Nukumi as Ann...
Kaiju No. 8 takes the top spot this week while Tonari no Yōkai-san pushes to #3 in the cmulative! Check out our weekly user rankings!― Let's have a look at what ANN readers consider the best (and worst) of the season,
based on the polls you can find in our Daily Streaming Reviews
and on the Your Score page with the latest simulcasts. Keep in mind that these rankings are based on how people rated in...
Mospeada is a work very much of its time, riffing on ideas and tropes that were all the rage when it was made, and doesn't do anything exceptional with them.― It can be easy for even longtime fans to forget that alongside Macross, there were two other 80's sci-fi anime that got Frankenstein-ed into what we'd eventually call Robotech. While this isn't the first time one of those series has made it to...
Following the upcoming retro programming block Toonami Rewind, Chris and Lucas look back fondly on the afternoons spent watching Naruto and Sailor Moon.― Following the upcoming retro programming block Toonami Rewind, Chris and Lucas look back fondly on the afternoons spent watching Naruto and Sailor Moon. Disclaimer: The views and opinions expressed by the participants in this chatlog are not the v...
Yeah, yeah, Kaiju No. 8 has all the great action scenes, but Yatagarasu is chewing up the scenery as the royal ladies absolutely lose their minds!?― Why Aren't You Watching This Anime Yet? Yeah, yeah, Kaiju No. 8 has all the great action scenes, but Yatagarasu is chewing up the scenery as the royal ladies absolutely lose their minds!? The ANN After Show streams live on YouTube, Facebook, and Twitte...
Here we have a from-the-ground-up remake, but does this beloved classic still hold up in a modern sense, or is that praise just nostalgia talking?― It's nice when Nintendo surprises us with a remaster or re-release of one of their more difficult-to-obtain games. The original Paper Mario: The Thousand-Year Door for the Nintendo GameCube is a classic for many. However, since the game was never re-rele...
Miles Atherton crunched Netflix's latest numbers for some surprising anime discoveries, from the popularity of My Happy Marriage to the One Piece juggernaut.― Since the advent of streaming, it's been notoriously difficult to gauge how popular a specific anime is with international audiences, both for publishers looking to make informed decisions for a market that generates most of its revenue outsi...